o_o Sadako Para Para o_o

No letra my Friendo Only (Intro – The Glitched Arcade)
(The song starts with the sound of an old ARCADE MACHINE booting up, then glitching violently. The sound of rain. A single, melancholic SHAMISEN note from A. Haru. Then, a high-energy PARA PARA EUROBEAT kicks in, driven by EDR’s Taiko and industrial percussion. Short, sharp “Naruto-style” vocal shouts (Kiai!).)
(NHC (A rapid-fire, confident rap in Japanese):)
“Mata kabe, mata teki, Shinobi no suteppu de! (また壁、また敵、忍びのステップで！)
Kono Nippon-chō, mayonaka no gemu!” (この日本町、真夜中のゲーム！)”
(Verse 1 – The Confrontation / Blues Rap)
(The Para Para beat cuts abruptly. A groovy, Seinfeld-esque SLAP BASSLINE enters. The drums become a slow, bluesy Taiko rhythm with wooden stick clicks. NHC’s flow becomes a soulful, bluesy rap. Aiko’s shamisen plays a weeping melody.)
“Kurai ido kara, kage ga yonderu… (暗い井戸から、影が呼んでる…)
Furui teepu, kioku no wana… Samara no MERODII?
(古いテープ、記憶の罠… サマラのメロディー？)
‘Onore o shiru mono wa kenja nari’… to oshieta
(「己を知る者は賢者なり」…と教えた)
Demo kono yūrei, watashi o shitte iru rashii…”
(でもこの幽霊、私を知っているらしい…)
(Chorus – The Dance of Doubt / Para Para Returns)
(The high-energy PARA PARA EUROBEAT EXPLODES back. NHC’s voice is a mix of defiance and dawning horror. Aiko provides powerful, soaring backing vocals. It’s catchy, danceable, and deeply unsettling.)
“SADAKO PARAPARA! NAZE KONO RHYTHM DE?!
(Aiko BGV: Minu ga hana! Minu ga hana!)
HIMITSU GA ODORU, AKUMU NO MANMA DE!
OBOETERU… ANO HI NO KOTO… CHĪSANA TE…
(Aiko BGV: Kowasu na! Wasurete! – ¡No lo rompas! ¡Olvídalo!)
KONO LOOP KOWASHITAI! NIGETAI KEDO… DOKO E?!”
(Verse 2 – The Revelation / Glitched Blues)
(The SLAP BASS and bluesy Taiko return, but now with heavy GLITCH effects. NHC’s voice cracks with emotion. He’s remembering. Aiko’s shamisen plays a distorted, sorrowful version of the “shamisen that plays alone”.)
“Ano orphanage… katorikku no 仮面 (kamen – máscara)…
Tomodachi datta… namae wa… RUIZA…?
Deru kui wa utareru… to shikatta…
(「出る杭は打たれる」…と叱った…)
Kanojo wa chigatta… afinada… kienai kizuato…”
(彼女は違った… アフィナーダ… 消えない傷跡…)
(Bridge – The Ghost’s Warning)
(The music becomes ethereal. Only Aiko’s shamisen playing a haunting, traditional Japanese melody and the sound of water dripping, like from a well. The Eco de Luisa/Sadako speaks, her voice a chorus of glitched whispers.)
(ECO DE LUISA/SADAKO (Whispering, layered voices):)
“Take wa kaze ni shinari te orezu… Anata wa…強い (tsuyoi – fuerte)…
Demo… minu ga hana… shinjitsu wa… doku…”
(Final Chorus – The Acceptance & Defiance / J-Rock Funk Explosion)
(The music EXPLODES into a powerful J-ROCK/FUNK ANTHEM. The Para Para beat is gone, replaced by a driving, soulful rock groove. NHC’s voice is raw, emotional, but full of a new understanding and power. Aiko’s shamisen is a lead guitar, shredding a heroic solo. The Taiko drums are thunderous. This is NHC accepting his past and choosing his future.)
“SADAKO BLUES! KONO ITAMI DAKISHIMETE!
(Aiko BGV: Onore o shire!)
KAKO NO KAGE O UCHI YABURE! MIRAI O TERASE!
MINU GA HANA? NO! SHINJITSU GA TSUBASA!
(Aiko BGV: Tobe, NHC! Tobe! – ¡Vuela, NHC! ¡Vuela!)
KONO UTA GA MICHI! ORE WA KOKO NI IRU! NIGENAI!”
(Outro – The Lingering Echo)
(The music fades out, leaving only the sound of the Seinfeld-esque SLAP BASSLINE, playing a final, bluesy, questioning riff. It glitches once, then stops.)
(A single, clear “Naruto-style” vocal shout: “DATTEBAYO!”)
(Silence.)